

If you are tired of shooting birds in flight and guessing which settings to use, and when… if you are frustrated because you keep missing shots that you’ve worked so hard to capture… if you’re tired of being in the right place at the right time only to come home to blurry, out-of-focus photographs, then this message is just for you.
Here’s why…
There is a way to “set and forget” your camera settings once and immediately start taking tack-sharp, perfectly focused bird-in-flight photos every time no matter how fast or slow, big or small your subjects are.
Best part? It’s only $7.00 USD.
But first, I’d like to tell you a short story about two newbie photographers.
On a beautiful Saturday morning in April, these two photographers set out on a trip to Sarasota, FL to capture beautiful snowy egrets.
These photographers were very much alike.
They both had the same camera, the same lens, they both had been shooting for about the same amount of time, and they both had access to all the same information on the internet.
But something incredible happened when they returned from their trip.
One of the photographers littered her images all over social media, her friends’ inboxes, and anyone else who would listen, triggering thousands of likes and shares on her images.
A popular magazine even asked to purchase and feature one of her photos in their upcoming edition.
But the other photographer was so disgusted and frustrated with her images that she couldn’t bring herself to tell a soul.
They were out of focus, blurry, and poorly composed. Her images looked as though she had picked up the camera and started aimlessly shooting at whatever flew by her.
Have you ever wondered, as I have, how two photographers with the same experience can be in the same place, at the same time, with the same gear, shooting the same subject, and end up with two completely different results?
What makes this kind of difference in people’s photography?
It isn’t always about innate intelligence, talent, or dedication. It isn’t that one person wants success and the other doesn’t.
The difference lies in what each person knows and how he or she makes use of that knowledge.
And that’s why I’m writing to you, and photographers like you, about the Journal of Wildlife Photography. For that is the whole purpose of The Journal: To give its students knowledge—knowledge they can use in their photography, right now.
Each month, the Journal commissions some of the brightest and most celebrated bird and wildlife photographers in the industry—talents that money can buy—to host exclusive masterclasses for our 11,336 active members.
Names such as Steve Perry, Simon d’Etremont, Isaac Grant, Michelle Valberg, Lee Hoy, Jan Wegener, Joe and Mary McDonald, Russell Graves, and Brad Hill, just to name a few.
Just a few weeks ago, renowned bird and wildlife photographer Steve Perry hosted an exclusive 90-minute masterclass, diving deep into the specific camera and lens settings for capturing birds in flight. This wasn’t just any workshop; Steve shared his secrets on how to perfectly set up your camera once and for all, allowing you to effortlessly capture those once-in-a-lifetime shots without fretting over your settings.
Imagine the ease and confidence that comes with knowing your gear is fine-tuned to help you capture those fleeting moments in stunning detail. This masterclass is a game-changer for anyone serious about taking their photography to legendary heights.
But don’t just take our word for it; here are just a few of the comments from his training.




Right now, I’m watching the first video in Steve’s masterclass and it’s filled with information on everything you can imagine as it relates to capturing tack-sharp, bird-in-flight photographs.
For instance, just in the first 40 minutes, you’ll discover:
There is just too much to list, but you can see for yourself for just $7.00 USD.
But wait!

This is a two-hour video masterclass that will show you how to create compelling bird-in-flight photographs that get attention.
You’ll discover how award-winning wildlife photographer Lee Hoy uses


Why do we include so many exclusive bonuses?
I’m willing to offer all this for so little because I’m confident you’re going to be blown away.
I know there’s so much value in these masterclasses that you’ll want to continue learning from our education for years to come. You may want to attend our masterminds or go through some of our other courses and educational offerings.
You’ll likely become obsessed with uncovering the secrets from top wildlife photographers, and you’ll want to grow and, maybe, just maybe, one day you’ll consider becoming a full member of the Journal of Wildlife Photography.
But first, I’m willing to help you for next to nothing. I’m ready to show you I can help you—by actually helping you!
What a novel idea, huh?
That way, if you decide it’s not for you, you’re not out anything except a few dollars and a bit of time.
Simply click the button below, fill in your name and your payment details, and as soon as you complete your order, you’ll get instant access to all of these priceless masterclasses.
About those two newbie photographers I mentioned at the beginning of this letter: By all accounts, they both had the exact same resources and gear but ended up with two different results.
So, what made their photographs different?
Knowledge. Useful knowledge. And its application.

The Journal guarantee: Should The Journal not measure up to your expectations, you may cancel at any point and receive a full refund.
One email. No questions. All of your money back.

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